Shanta Apte (1916-24 Feb 1964) worked in Marathi and Hindi cinema as singer-actress.
Renowned for her roles in films like Duniya Na Mane/Kunku (1937) and Amar Jyoti (1936) under the Prabhat Films banner, she was active in Indian cinema from 1932-58. Apte's impact on Marathi cinema "paralleled" that of Kanan Devi's in Bengali cinema.Along with Kanan Devi, Apte is cited as one of the "great singing stars" from before the playback singing era.
Apte began her career in films playing the role of a young Radha in the Marathi film Shyamsunder (1932). She joined Prabhat Films acting in her first Hindi language film Amrit Manthan in (1934).
Born in 1916 in Dudhni, Maharashtra, India, to a Brahmin family, Apte was the daughter of a station master. Following her father's inclination towards singing, the young Apte took up it up, rendering bhajans at the local Ganesh festivals in Poona. She studied music at the Maharashtra Sangeet Vidyalaya in Pandharpur.
Apte started her acting career when she was discovered at the age of nine years by Baburao Pendharkar and then cast in Bhalji Pendharkar directed film Shyamsunder. The film is stated to be the first Marathi film to celebrate a "silver jubilee" (25 weeks) in a single theatre.
In 1934 she was cast as the hero's sister in Amrit Manthan directed by V. Shantaram for Prabhat Films. The film was a "box-office bonanza" and a big break for Apte. It was the first Hindi talkie film to celebrate a silver jubilee and was screened at International Film Festival, Venice. Apte rendered four solo songs under the music direction of Keshavrao Bhole, including the first recorded filmy ghazal "Kamsini Mein Dil Pe Gham Ka".
1936 saw Apte acting in V. Shantaram directed Amar Jyoti. It co-starred Durga Khote, Vasanti and Chandra Mohan and was Prabhat Film banner's first film to have playback singing.
In 1937, she acted in V. Shantaram's Duniya Na Mane also called The Unexpected, where she played the role of a young girl, Nirmala, who is married to a rich old widower, played by Keshavrao Date. She protests and refuses to acknowledge him as her husband. In the end, the old man realises what he's done and commits suicide, leaving a note where he asks Nirmala to remarry. Shanta sang an English song in the film, a version of H. W. Longfellow's Psalm of Life.
The same year she acted in the Marathi version of the film called Kunku. The film proved to be the biggest success of her career and is still acclaimed by critics.
The same year she acted in the Marathi version of the film called Kunku. The film proved to be the biggest success of her career and is still acclaimed by critics.
In 1938 Apte acted in another famous film from Prabhat Films, directed by V. Shantaram called Gopal Krishan.
In 1941, Apte acted in Savithri, a Tamil film, which also had M. S. Subbalakshmi playing the role of Narad.
Apte acted with Noor Jehan in Duhai (Curse) in 1943, a social melodrama where Noor Jehan played the second lead. The film was directed by Vishnu Vyas it had music by Rafiq Ghaznavi and Pannalal Ghosh.
Apte acted with Noor Jehan in Duhai (Curse) in 1943, a social melodrama where Noor Jehan played the second lead. The film was directed by Vishnu Vyas it had music by Rafiq Ghaznavi and Pannalal Ghosh.
In 1946, Apte acted in four films with Subhadra being a "mythological comedy", which was produced and directed by Master Vinayak and co-starred Yakub, Ishwarlal and Lata Mangeshkar. Subhadra had Apte and Lata Mangeshkar singing together in the song "Main Khili Khili Phulwari" under the music direction of Vasant Desai.
Then came Uttara Abhimanyu directed by Sarvottam Badami for Paras Pics and co-starring Shahu Modak, Panihari directed by V. M. Gunjal starred Surendra and Yakub, and Valmiki directed by Bhalji Pendharkar with both Prithviraj and Raj Kapoor acting in the film.
Then came Uttara Abhimanyu directed by Sarvottam Badami for Paras Pics and co-starring Shahu Modak, Panihari directed by V. M. Gunjal starred Surendra and Yakub, and Valmiki directed by Bhalji Pendharkar with both Prithviraj and Raj Kapoor acting in the film.
Savithri,1941
Subhadra,1946
Shanta Apte thus had the rare distinction of singing and acting with the three "iconic female singers" of Indian cinema: with M. S. Subbulakshmi in Savithri (1941), with Noor Jehan in Duhai (1943), and with Lata Mangeshkar in Subhadra (1946).
1950s saw fewer films from Shanta Apte. She acted in Marathi films like Raja Paranjpe's Jara Japoon (Be Careful) in 1950 with Keshavrao Date and Leela Chitnis, Kunkvacha Dhani (1951) directed by Datta Dharamadhikari, Tai Teleen (1953) directed by K. P. Bhave, and Mulu Manek (1955) directed by Manhar Rangildas Raskapur.
Her last two films were in Hindi, Chandi Puja starring Nirupa Roy, Manhar Desai and Prem Adib and directed by Raman B. Desai, and the last released film Ram Bhakta Vibhishan in 1958, directed by Samar Chatterjee with the same star cast as Chandi Puja.
Apte died of a heart attack following a six-month illness, on February 24, 1964, at her residence in Andheri, Mumbai, Maharashtra.
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