A film career spanning from the 1940s to the 1980s, Nanda
was born on January 8, 1939, to a show-business Marathi family in Bombay,
India. Her father was actor Master Vinayak, and her mother was Sushila. Nanda
was the third of seven brothers and sisters. When she was just 5 years old, her
father wanted to cast her in his film "Mandir" (1948). She didn't
want to do it, but her mother cajoled her into it. She played a boy in the
film, a role that could have been easily played by her brothers. But Nanda
always believed that the reason her parents cast her in the film was because
she was their favorite child. It was during the filming of "Mandir"
that her father suddenly died. The film was eventually completed by Dinkar
Patil. Nanda went onto become a child star, where she was credited as Baby
Nanda, in films like "Jaggu" (1952). Her income supported her large
family.
When Nanda was a teenager, Rajaram Vankudre Shantaram asked
her to attend a wedding in a sari. When he saw her, he felt she was ready to
graduate from child roles to sister roles. He cast her in "Toofan Aur
Diya" (1956), and she was no longer called Baby Nanda but just Nanda. The
film's success led to more sister roles, gaining recognition with the release
of "Bhabhi" (1957) for which she received her first Filmfare
nomination as Best Supporting Actress. Nanda played the title role in
"Chhoti Bahen" (1959), and it became a major hit. She was declared a
star and earned a reputation as a talented actress who can do tragedienne
roles. She won the Filmfare Best Supporting Actress award for
"Aanchal" (1960), a major accomplishment, considering that she was
barely out of her teens. She impressed Dev Anand when she played his sister in
"Kala Bazaar" and also his heroine Waheeda Rehman who became her
close friend for the next 55 years.
Anand promised her that he would graduate her to be his heroine in his next film "Hum Dono" (1961), and when the film became a hit, she was offered more heroine roles.
She was considered a generous and kindhearted actress, agreeing to act with an then-unknown Shashi Kapoor in "Char Diwari" (1961). Even though, the film flopped, she signed onto do seven more films, for which Kapoor always remained grateful to her, calling her his favorite leading lady. Their biggest hit was "Jab Jab Phool Khile" (1965), where Nanda played a glamorous, Westernized woman in love with a native Kashmiri played by Kapoor.
The film totally changed her career from a tragedienne to a trendy fashionable star. She also had another big hit that same year, the murder mystery "Gumnaam" (1965), which put her in the top league of heroines.
She continued in heroine roles for the next nine years, again drastically changing her image from a good girl to an adulteress/murderess in "Ittefaq" (1969), which earned her a Filmfare nomination as Best Actress.
She started winding down her career in the 1970's, with her memorable cameo in "Shor" (1972). She ended her career as a heroine with "Naya Nasha" (1974), playing a drug addict, a daring role that other actresses would have been afraid to play. Then, she vanished from the screen for several years and reappeared in 3 movies in 1982: 'Mazdoor', 'Ahista Ahista', and 'Prem Rog', the latter two earned her back-to-back Filmfare Nominations as Best Supporting Actress. In all 3 movies she coincidentally played the mother of actress Padmini Kolhapure. Then, she permanently retired from films.
Anand promised her that he would graduate her to be his heroine in his next film "Hum Dono" (1961), and when the film became a hit, she was offered more heroine roles.
She was considered a generous and kindhearted actress, agreeing to act with an then-unknown Shashi Kapoor in "Char Diwari" (1961). Even though, the film flopped, she signed onto do seven more films, for which Kapoor always remained grateful to her, calling her his favorite leading lady. Their biggest hit was "Jab Jab Phool Khile" (1965), where Nanda played a glamorous, Westernized woman in love with a native Kashmiri played by Kapoor.
The film totally changed her career from a tragedienne to a trendy fashionable star. She also had another big hit that same year, the murder mystery "Gumnaam" (1965), which put her in the top league of heroines.
She continued in heroine roles for the next nine years, again drastically changing her image from a good girl to an adulteress/murderess in "Ittefaq" (1969), which earned her a Filmfare nomination as Best Actress.
She started winding down her career in the 1970's, with her memorable cameo in "Shor" (1972). She ended her career as a heroine with "Naya Nasha" (1974), playing a drug addict, a daring role that other actresses would have been afraid to play. Then, she vanished from the screen for several years and reappeared in 3 movies in 1982: 'Mazdoor', 'Ahista Ahista', and 'Prem Rog', the latter two earned her back-to-back Filmfare Nominations as Best Supporting Actress. In all 3 movies she coincidentally played the mother of actress Padmini Kolhapure. Then, she permanently retired from films.
She did stay in touch with her friends, Waheeda Rehman,
Sadhana, Asha Parekh, Shammi, Helen, and Saira Banu almost to her dying day.
She died of a sudden heart attack on March 25, 2014. (Source:http://www.imdb.com/name/nm0620785/bio)
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