Died: 9 November 1953, Lahore, Pakistan
Ghulam Haider , well-known music composer, worked both in India and in Pakistan after independence. He changed the face of film songs by combining the popular Raags with the verve and rhythm of Punjabi music, and also raised the status of music directors.
He is also known for giving a break to the well-known playback singer, Lata Mangeshkar. In an interview, Lata Mangeshkar herself disclosed on her 84th birthday in 2013, "Ghulam Haider is truly my Godfather. It was his confidence in me that he fought for me to tuck me into the Hindi Film Industry which otherwise had rejected me". Remembering her early rejection, Lata once said, "Ghulam Haider was the first music director who showed complete faith in my talent. He introduced me to many producers including S. Mukerji, a big name in film production, but when he too declined me, Ghulam Haider was very furious. Hence, finally he convinced Bombay Talkies, a banner bigger than S. Mukerji and introduced me through their movie Majboor (1948 film)".
Ghulam Haider was born in 1908 in Narowal, Punjab, British India (now in Pakistani Punjab). After passing his intermediate examination, he was admitted to a college of dentistry and completed his education as dentist. Being curious about music he started learning music from Babu Ganesh Lal. His love for music made him leave his career as a dentist, facing the wrath of his family, he still found a job with Alfred Theatrical Company and Alexander Theatrical Company as a piano player in Calcutta, and worked with Jenaphone (Genophone) Recording Company as a music composer as well. He composed music for the then famous singer, Umrao Zia Begum, who was working for Pancholi Studios, Lahore. He later married her.
After independence, he returned to Lahore and his first Pakistani film was Shahida (film) (1949). He composed music for many other Pakistani films like Beqarar (1950), Akeli (1951) and Bheegi Palken (1952) but the films flopped. He died just a few days after the release of film Gulnar (1953).
Some of his famous compositions:
Aa Jao Beedeshi Baalama (film: Padmini (1948)
Aana Hai Toh Aa Jao Gar (film: Shaheed 1948)
Ab JiKe Koyi Kyaa Kare (film: Majboor (1948)
Lo, chal diye woh ham ko tasalli diye baghair (singer: Noor Jehan, film: Gulnar 1953)
Bachapan Ki Yadgaro, Mai Tumko Dhundhatee Huun (film: Gulnar 1953)
http://www.filmkailm.com/ghulam-haider-the-game-changer/
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Ghulam Haider is known to have introduced Noor Jehan (Gul Bakavli), Shamshad Begum(Yamla Jat) and Surinder Kaur(Shaheed) to films and also gave the first major break to Lata Mangeshkar by tuning her songs for Bombay Talkies’ ‘Majboor’(1947)—the first film in which she played back for any heroine. This lucky star was Munnawar Sultana.
In an interview, Lata Mangeshkar herself disclosed on her 84th birthday in 2013, "Ghulam Haider is truly my Godfather. It was his confidence in me that he fought for me to tuck me into the Hindi Film Industry which otherwise had rejected me". Remembering her early rejection, Lata once said, "Ghulam Haider was the first music director who showed complete faith in my talent. He introduced me to many producers including S. Mukerji, a big name in film production, but when he too declined me, Ghulam Haider was very furious. Hence, finally he convinced Bombay Talkies, a banner bigger than S. Mukerji and introduced me through their movie Majboor (1948 film)".
Ghulam Haider changed the face of film songs by combining the popular Raags with the verve and rhythm of Punjabi music, and also raised the status of music directors.
According to one account, Ghulam Haider was born in 1908 in Narowal, Punjab, Pakistani Punjab. After passing his intermediate examination, he was admitted to a college of dentistry and completed his education as dentist. Being curious about music he started learning music from Babu Ganesh Lal. His love for music made him leave his career as a dentist, facing the wrath of his family,he still found a job with Alfred Theatrical Company and Alexander Theatrical Company as a piano player in Calcutta, and worked with Jenaphone (Genophone) Recording Company as a music composer as well. He composed music for the then famous singer, Umrao Zia Begum, who was working for Pancholi Studios, Lahore. He later married her.
Haider broke into films with the father-son duo Roshan Lal Shorey and Roop Kumar Shorey, and then A.R. Kardar gave him the opportunity to compose music for the 1935 film, Swarg Ki Seerhi. But he got his first break with D.M. Pancholi's Punjabi film, Gul-E-Bakavali (1939) starring Noor Jehan. This was followed by film Yamla Jat (1940). His first big hit song came with Khazanchi in 1941, which caused a revolution in the music industry.The music of the film Khazanchi (1941), in particular, the song Sawan Ke Nazare Hain sung by Shamshad Begum and himself caused a revolution in music composing.By then Music Directors of the 1930s,who had composed film songs set in classical ragas,were beginning to sound commonplace.Khazanchi's refreshingly free wheeling music not only took the audiences by storm but also made other film music directors sit up and take notice.With this film, Ghulam Haider ensured that the Indian film song would never be the same again. Khandan (1942), the first film of Noor Jehan as lead actress, was also a big hit and established him as a top film composer. Poonji (1943) was also successful. Then Haider moved to Bombay and composed music for many films including Humayun (1945) and Majboor (1948 film), the first major break for Lata Mangeshkar in Hindi films. Shaheed (1948) and Kaneez (1949 film) are his other big hits.
After independence, he returned to Lahore and his first Pakistani film was Shahida (film) (1949). He composed music for many other Pakistani films like Beqarar (1950), Akeli (1951) and Bheegi Palken (1952) but the films flopped. He died just a few days after the release of film Gulnar (1953).
https://en.wikipedia.org/wiki/Ghulam_Haider_(composer)
Read more:http://www.activeindiatv.com/entertainment/14230-60th-death-anniversary-of-music-director-ghulam-haider-he-discovered-nur-jehanshamshad-begum-a-surinder-kaur-jamal-sen-advised-him-to-use-dholak
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