Raveena Tandon has received one National Film Award and two Filmfare Awards. She attained popularity for female-centric roles in the later part of her career. She has mainly worked in Bollywood films, though she has appeared in a few movies of Telugu, Tamil and Kannada cinema as well.
Raveena Tandon debuted with the film Patthar Ke Phool (1991) which was a hit; she received the Filmfare Award for Lux New Face of the Year for her performance. Her next films Mohra (1994) and Dilwale (1994) were big hits at the box. Laadla (1994) earned her a nomination for the Filmfare Award for Best Supporting Actress. Mohra was the second biggest hit of 1994. Her other releases of that year included the thriller Imtihaan and the 1994 cult-classic comedy Andaz Apna Apna with Aamir Khan, Salman Khan and Karisma Kapoor. The former was also a hit.
In 1995, she starred with Shahrukh Khan for the first time in Zamaana Deewana; the film failed to do well. Her career was back on track with hit films like Khiladiyon Ka Khiladi (1996)[6] and Ziddi (1997), both being big hits of their respective year.
In 1999, Tandon starred opposite Upendra in his self-titled Kannada psychological thriller film, Upendra. In the 2000s, Tandon turned her career professional. She went on to work more with art film directors and realistic cinema. It proved to be a good turning as films like Shool (1999), Bulandi (2000) and Aks (2001) won her huge acclaim. She won many awards as well as the Filmfare Special Performance Award for her performance in Rakeysh Omprakash Mehra's Aks.
Since then, she has starred in a number of critically acclaimed films, such as Satta (2003) and Dobara (2004), but has not had much box office success. Her role as a middle class woman thrust into the world of politics in the former was praised. Her only release in 2006 was Sandwich which opened to poor reviews and reception.
In 2015, she made a comeback to Bollywood in longtime friend Anurag Kashayp's magnum opus Bombay Velvet. Playing a sultry jazz singer, her brief performance was lauded by critics.
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