Naseem Banu was born on 4th July, 1916 in Delhi
to the head of a wealthy aristocratic family.
Naseem’s father was Nawab Abdul Waheed Khan of Hasanpur. Naseem, named
Roshan Ara Begum, studied at Queen Mary's High School, Delhi; her mother
Shamshad Begum, wanted her to become a doctor. Shamshad Begum, also known as
Chhamian Bai was a famous and well earning singer of those days. Naseem once
stated that her mother earned more than her even when she, Naseem, was earning
a salary of ₹ 3,500.
Naseem was keen on films and admired the actress Sulochana
(Ruby Myers), ever since she had seen a film of hers, but her mother was
against the idea of films. On a visit to Bombay, Naseem got interested in
seeing the film shootings and at one of the sets she was approached by Sohrab
Modi to play Ophelia in his film Hamlet. Her mother refused permission and
Naseem went on a hunger-strike till her mother agreed. Having played the role,
Naseem was unable to continue her education as the school was shocked at her
acting in films, then considered a lowly profession.
Naseem returned to Bombay and signed a contract with Sohrab
Modi. She started her career with Khoon Ka Khoon (Hamlet) (1935) and went on to
make several films with Modi under the Minerva Movietone banner. After acting
in films like "Khan Bahadur" (1937), Talaq (Divorce) (1938), Meetha
Zahar and Vasanti (1938) she started work in what became known as her most
famous film Pukar in the role of Noor Jahan. To prepare for the film she went
riding every day and learnt singing. The film took over a year to complete and
brought Naseem into prominence in a spectacular manner. One of her songs,
"Zindagi Ka Saaz Bhi Kya Saaz Hai" became popular with the audiences.
The publicity of the film dealt on her beauty calling her Beauty Queen and Pari
Chehra a name that was to endure over the years before passing on to her
daughter Saira Banu. After the classic Pukar, the demand for Naseem as an
actress increased and she was approached by several film studios to act with them.
But Sohrab Modi refused to release her from her contract. This caused some
uneasiness between the two. Sheesh Mahal (1950) produced by Minerva show-cased
her acting talents devoid of make-up and jewellery and clad only in simple
sarees. From Minerva Movietone, Naseem moved to Circo and then Filmistan
studios where she performed in Chal Chal Re Naujawan with Ashok Kumar.
Married to Ehsan by now, the husband-wife team started Taj
Mahal Pictures and made several films like Ujala (1942), Begum (1945), Mulaqat
(1947), Chandni Raat (1949) and Ajeeb Ladki (1942) under the home banner. The
last two were also directed by her husband, Mohammed Ehsan. However she did a
couple of action and fantasy films ("low-grade films") like Sinbad
Jahazi (1952) and Baghi (1953), in which she was not accepted by the audiences.
She acted in Minerva’s Nausherwan-E-Adil (1957) in a small role and then quit
acting. She continued to remain active, first trying her hand as a producer,
and then as her daughter’s dress-designer when Saira entered films with Junglee
(1961).
Some of her best films are Pukar (1939), Chal Chal Re
Naujawan (1944), Anokhi Ada (1948), Sheesh Mahal (1950) and Shabistan (1951).
She co-starred with most of the top stars of those days like Sohrab Modi,
Chandra Mohan, Prithviraj Kapoor, Ashok Kumar, Shyam, Surendra, Navin Yagnik,
Prem Adib, and Rehman.
Naseem died on June 18 2002 in Mumbai at the age of 85
years.
No comments:
Post a Comment